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«Виктор Папанек Дизайн Для Реального Мира DESIGN FOR THE REAL WORLD Human Ecology and Social Change © Victor Papanek, 1984 © ...»

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Snaith, William. The Irresponsible Arts. New York: Atheneum, 1964.

Thomson, E.P. William Morris: Romantic to Revolutionary.

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M.I.T. Press, 1953.

Willet, John. Art & Politics in the Weimar Period.

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Wingler, Yans M. The Bauhaus.

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Youngblood, Gene. The Expanded Cinema. London: Studio Vista, 1971.

Практика дизайна и его философия Albers, Anni. On Designing. New Haven, Connecticut: Pellango Press, 1959.

Anderson, Donald M. Elements of Design.

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Art Directors' Club of New York. Symbology.

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Baker, Stephen. Visual Persuasion. New York: McGraw-Hill, 1961.

Bayer, Herbert. Visual Communication, Architecture, Painting.

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Bill, Max. Form. Basel, Switzerland: Karl Werner, 1952. Text in German, English, French. Doxiadis, Constantinos. Architecture in Transition.

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_. Between Dystopia and Utopia. London: Faber, 1966.

_. Elastics. London: Hutchinson, 1968.

Gropius, Walter. Scope of Total Architecture. New York: Harper, 1955.

Itten, Johannes. The Art of Color. New York: Reinhold, 1961.

_. Design and Form. New York: Reinhold, 1963.

Kandinsky, Wassily. On the Spiritual in Art. New York: Wittenborn, 1948.

_. Point to Line to Plane. New York: Guggenheim Museum, 1947.

Kepes, Gyorgy. Language of Vision. Chicago: Paul Theobald, 1949.

_. The New Landscape in Art and Science. Chicago: Paul Theobald, _. Vision-Value Series. Vol. I, Education of Vision. Vol. 2, Structure in Art and Science. Vol. 3, The Nature and Art of Motion. Vol. 4, Module Proportion Symmetry Rhythm. Vol. 5, The Man-made Object. Vol. 6, Sign Image, Symbol. New York: George Braziller, 1966.

_. (ed.). The Visual Arts Today. Middletown, Connecticut: Wesleyan University Press, 1960.

Klee, Paul. Pedagogical Sketch Book. London: Faber, 1968.

_. The Thinking Eye. London: Lund Humphries, 1961.

Kranz, Stewart, and Fisher, Robert. The Design Continuum.

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Kuebler, George. The Shape of Time. New York: Schocken, 1967.

Kumar, Satish (ed.). The Schumacher Lectures.

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Larrabee, Eric, and Vignelli, Massimo. Knoll Design.

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Lethaby, W. R. A Continuing Presence: Essays from Form in Civilization.

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_. Architecture, Mysticism and Myth. New York: George Braziller, 1975.

_. Architecture, Nature & Magic. New York: George Braziller, 1956.

Lovins, Amory B. Soft Energy Paths. New York: Harper & Row, 1979.

Malevich, Kasimir. The Non-objective World. Chicago: Paul Theobald, 1959.

Mayall, W. A. Principles in Design. New York: Van Nostrand Rein-hold, 1979.

Moholy-Nagy, Laszl6. The New Vision. 4th ed. New York: Witten-born, 1947.

_. Telehor. Bratislava, Czechoslovakia: 1968.

_. Vision in Morion. Chicago: Paul Theobald, 1947.

Moholy-Nagy, Sibyl. Moholy-Nagy: Experiment in Totality.

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Mondrian, Piet. Plastic and Pure Plastic Art. New York: Witten-born, 1947.

Mundt, Ernest. Art, Form & Civilization. Berkeley:

University of California Press, 1952.

Nelson, George. How to See. Boston: Little, Brown, 1977.

_. On Design. New York: Watson-Guptill, 1979.

_. Problems of Design. New York: Whitney Publications, 1957.

Newton, Norman T. An Approach to Design.

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Niece, Robert С Art: An Approach.

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Papanek, Victor. «Big Character» Poster No. 1: Work Chart for Designers, Charlottenlund, Denmark: Finn Sloth Publications, 1973.

_. Design For Human Scale.

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_. "Die Aussicht von Heute" [The view from today] in Design ist Unsichtbar (Design is Invisible).

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_. "Kymmenen Ymparistoa" [Environments for discovery].

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_. "Socio-Environmental Consequences of Design" In Health & Industrial Growth. Holland:

Associated Scientific Publishers, 1975. (CIBA Symposium XXII).

_. "Areas of Attack for Responsible Design" In Man-made Futures. London: Hutchinson, 1974.

_. "Friendship First, Competition Second" Casabella (Milan), December 1974.

_. "Project Batta Koya" Industrial Design, July-August 1975.

_. "On Resolving Contradictions Between Theory and Practice" Mobilia (Denmark), July-August 1974.

Papanek, Victor, and Hennessey, James. How Things Don't Work.

New York: Pantheon Books, 1977.

_. Nomadic Furniture. New York: Pantheon, 1973.

_. Nomadic Furniture 2. New York: Pantheon, 1974.

Pentagram. Living by Design. London: Lund Humphries. 1978.

_. Pentagram. London: Lund Humphries, 1972.

Pile, John F. Design. Amherst: University of Massachusetts Press, 1979.

Potter, Norman. What is a Designer. Things, Places, Messages.

London: Hyphen Press, 1980.

Pye, David. The Nature & Aesthetics of Design.

New York: Van Nostrand Reinhold, 1978.

Rand, Paul. Thoughts on Design. London: Studio Vista, 1970.

Schumacher, E. F. Good Work. New York: Harper & Row, 1979.

Vignelli, Massimo, and Vignelli, Leila. Design: Vignelli.

New York: Rizzoli, 1981.

Промышленный дизайн Aluminum Company of America. Design Forecast No. 1&.N0. 2.

Pittsburgh: Aluminum Company of America, 1959, 1960.

Beresford, Evans J. Form in Engineering Design.

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Black, Misha. Australian Papers. Melbourne: Trevor Wilson, 1970.

Braun-Feldweg, Wilhelm. Industrial Design Heute.

Hamburg, Germany: Rowohlt, 1966.

_. Normen und Formen Industrieller Produktion.

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Chase, Herbert. Handbook on Designing for Quantity Production.

New York: McGraw-Hill, 1950.

The Design Collection: Selected Objects.

New York: Museum of Modern Art, 1970.

Doblin, Jay. One Hundred Great Product Designs.

New York: Rein-hold, 1969.

Drexler, Arthur. Introduction to Twentieth Century Design.

New York: Museum of Modern Art, 1959.

_. The Package. New York: Museum of Modern Art, 1959.

Dreyfuss, Henry. Designing for People.

New York: Simon & Schus-ter, 1951.

Eksell, Olle. Design = Ekonomi. Stockholm: Bonniers, 1964.

Ekuan, Kenji. Industrial Design Lectures. Melbourne: Trevor Wilson, 1973.

Farr, Michael. Design in British Industry.

Cambridge: Cambridge University Press, 1955.

Friedman, William. Twentieth Century Design: U.S.A.

Buffalo, N.Y.: Albright Art Gallery, 1959.

Functie en Vorm: Industrial Design in the Netherlands.

Bussum, Holland: Moussault's Uitgeverij, 1956.

Gestaltende Industrieform in Deutschland.

Diisseldorf, Germany: Econ, 1954.

Gloag, John. Self Training for Industrial Designers.

London: Alien & Unwin, 1947.

Hiesinger, Cathryn В., and Marcus, George H. (eds.). Design Since 1945.

Philadelphia: Museum of Art, 1983.

Holland, Laurence B. (ed.). Who Designs America?

New York: Anchor, 1966.

Jacobson, Egbert. Basic Color. Chicago: Paul Theobald, 1948.

Johnson, Philip. Machine Art. New York: Museum of Modern Art, 1934.

Latham, Richard. Industrial Design Lectures.

Melbourne: Trevor Wilson, 1972.

Lippincott, J. Gordon. Design for Business. Chicago: Paul Theobald, 1947 Loewy, Raymond. Never Leave Well Enough Alone.

New York: Simon & Schuster, 1950.

Lucie-Smith, Edward. AHistory of Industrial Design.

New York: Van Nostrand Reinhold, 1983.

Noyes, Eliot F. Organic Design. New York: Museum of Modern Art, 1941.

Pevsner, Nikolaus. An Enquiry into Industrial Art in England.

Cambridge: Cambridge University Press, 1937.

_. Pioneers of Modern Design. Middlesex: Penguin, 1970.

Read, Sir Herbert. Art in Industry. London: Faber, 1966.

Teague, Walter Dorwin. Design this Day. New York: Harcourt, Brace, 1940.

Van Doren, Harold. Industrial Design, id ed. New York: McGraw-Hill, 1954.

Wallance, Don. Shaping America's Products. New York: Reinhold, 1956.

Yran, Knut.... A Joy Forever. Melbourne: IDIA, 1980.

Zanuso, Marco. Industrial Design Lectures.

Melbourne: Trevor Wilson, 1971.

Кроме того при подготовке этой книги мной были использованы материалы следующих журналов:

Architectura Cuba (Cuba) Arkkitehti-Lehti (Finland) Aspen (U.S.A.) China Life (Peking) Craft Horizons (U.S.A.) Der Spiegel (Germany) Design (England) Design & Environment (U.S.A.) Design in Australia (Australia) Design Quarterly (U.S.A.) Design Studies (England) Designcourse (U.S.A.) Designer (England) Designscape (New Zealand) Domus (Italy) Dot Zero (U.S.A.) Draken (Sweden) Environment (U.S.A.) Form (Sweden) Form (Germany) Form & Zweck (German Democratic Republic) Graphis (Switzerland) IDEA (Japan) IDSA Journal (U.S.A.) Industrial Design (U.S.A.) Journal of Creative Behavior (U.S.A.) Kaiser Aluminum News (U.S.A.) Kenchiko Bunko (Japan) Mimar: Architecture in Development (Singapore) Mohilia (Denmark) Modo (Italy) Newsweek (U.S.A.) Ornamo (Finland) Ottagono (Italy) Start (Yugoslavia) Stile Industrie (Italy) Sweden NOW (Sweden) Time (U.S.A.) Ulm (Germany) &/sdo (Helsinki and Stockholm) А также информация из следующих источников:

All Things Considered (U.S.A.) BBC (England) CBC (Canada) NBC (U.S.A.) CBS (U.S.A.) ABC (U.S.A.) ABC (Australia) PBS (U.S.A.) Associated Press United Press International Виктор Папанек П17 Дизайн для реального мира / Пер. с английского. М.: Издатель Д. Аронов, 2004. – 416 с;

ил. ISBN 5-94056-007- Книга всемирно известного американского дизайнера и педагога В. Папанека о задачах и роли дизайнера в современном мире, об этике дизайна о новых принципах и методах проектирования, о дизайне как универсальном виде человеческой деятельности, интегрирующем в себе самые разные знания, а также о новой системе подготовки дизайнеров. Книга переведена более чем на двадцать языков, на русском языке издана впервые.

ББК 30. Виктор Папанек Дизайн для реального мира Перевод с английского Галины Северской Редакционная группа:

Л. Монахова, Д. Аронов, Е. Рабкина, А. Григорьев Корректор Л. Сафарян Издатель Д. Аронов Лицензия ИД №01703 от 05.05. ardes@rol.ru Формат 6о X 90/ Шрифт ITC CharterPT Бумага офсетная тираж 3000 экз.

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107005 Москва, ул. Ф.Энгельса, заказ № Вы можете узнать о новых издательских проектах и заказать книги наложенным платежом на www. aronov-books.ru

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